• This community needs YOUR help today. We rely 100% on Supporting Memberships to fund our efforts. With the ever increasing fees of everything, we need help. We need more Supporting Members, today. Please invest back into this community. I will ship a few decals too in addition to all the account perks you get.



    Sign up here: https://www.muzzleloadingforum.com/account/upgrades
  • Friends, our 2nd Amendment rights are always under attack and the NRA has been a constant for decades in helping fight that fight.

    We have partnered with the NRA to offer you a discount on membership and Muzzleloading Forum gets a small percentage too of each membership, so you are supporting both the NRA and us.

    Use this link to sign up please; https://membership.nra.org/recruiters/join/XR045103

Fur Trade Era Knife Sheaths

Muzzleloading Forum

Help Support Muzzleloading Forum:

This site may earn a commission from merchant affiliate links, including eBay, Amazon, and others.
just a piece of leather folded over and riveted together good enough just my 2 cents worth
I just reviewed a book I have, "Knives in Homespun America". There are many examples of knives from 1750 to 1850 that are just that. Leather folded over, mostly stitched in Linen or Sinew and some are riveted. Most also had belt loops with some having leather lace to attach to the belt. Hoffman Reproductions makes period correct knives and I would say his sheaths are probably about as correct as one can find.

The more I research this the more I'm baffled how some "reenactors" have the belief that knife sheaths didn't use a belt loop during the fur trade area. I can only surmise that it is due to Miller's paintings of the time. That's the only evidence I can find that supports their position.
 
We see many of them a dark brown color. In Nothing But Gunpowder’s his sheath is much darker then his leggings, that may be cloth. However we see in other paintings from the time darker brown sheaths.
In the case of raw hide, it’s good and tough. It can get wet and turn to snot. However if waxed or heavily greased it gets dark and almost water proof. It will ahead rain and snow and will not soak through unless exposed to immersion in water For some time or being wet in a steady rain like the Pacific Northwest.
A veggie tan leather is light tan can turn a dark brown depending on how much oil/wax/fat you rub into it.
Tanned or dressed buckskin can likewise be greased and become hard water resistant sheath. Most every town or small settlement had a tanner. And a dark brown bark tanned will make a water resistant sheath.
In absence of many historic datable sheaths I don’t think we can make much of a statement about a sheath.
A centerseam sheath doesn’t have to have a welt, while a side seam needs one. Tacked has no stitches to cut.
Wood was know for sheaths before America was discovered
I’ve got to wonder if most all were whatever an ol’ boy had that he could use.
 
Scarface,

I quoted two of your earlier posts as I believe they should be considered together.


Better late than never, I missed your post back in May. I'm referencing Fort Hall trade records so 1820's to 1840's era. I am still researching this subject as I am finding it very interesting. The "Rendezvous" era and what is reenacted seems to be against any sheath with a loop attached to the belt, yet they are using fancy beaded sheaths made out of brain tanned leather. I cannot find any evidence to show the historical accuracy of what is being used today. A knife sheath was a utilitarian tool that would have been simple, but useful and really no different that what was used earlier like the Revolutionary War time period for example.

I can't speak to beaded or quilled sheaths, except to say NA's made them, but I don't know if they fit into the 1820-40's time period. I'm not saying they were not, but it is just I don't know. Such sheaths most likely were not "every day" wear for NA's, but rather for ceremonial or sort of their form of "Sunday go to meeting clothes" to make a poor analogy. The NA sheaths that are documented by most paintings I've seen were parfleche and may have been fairly commonly painted, as they did with other "every day" parfleche cases.

I've noticed that it isn't "period correct" to use a knife sheath that has a loop in the back of the sheath to attach the sheath to the belt. I believe this to be a misconceived notion. Fur trade records state that belts were sold with sheaths attached to the belts. The sheaths would have been generic to fit trade knives of the period.

We know that 18th and very early 19th century trade sheaths made in England for Trade Knives were center seam sheaths with holes in them and either tape or leather thongs used to attach them to belts. Though we haven't been able to document this, originals that have survived don't appear to be made one at a time to fit individual knives, which makes sense. They appear to have been made by leather workers on wooden forms that would fit a large number of the same style of knives. That most likely was "their" version of mass production, the same as we can document they made bayonet sheaths on wooden forms. Other styles of the period knives probably also had such "generic" sheaths made for them on wood forms when the blades were more curved or longer, etc.

We can say the center seam sheaths were the most inexpensive way to make a serviceable knife sheath in that period and especially if they used wood forms, as we think they did. That doesn't mean they could not make a higher grade sheath in that period, but there was no reason to for inexpensive knives when they were trying to keep the manufacturing costs down.

I cant document when the English agents/factors switched from center seam sheaths to what I'll call a folded over sheath, somewhat similar to what NA's were making from parfleche. I suspect they did it because their NA customers preferred their sheaths that way, but I can't document that other then in a very general way that over the years of the fur trade, they did make changes in guns and other things, according to the tastes of their NA customers.

Here is a pic of such a factory made folded over sheath, BUT this one supposedly dates to the third quarter of the 19th century, I.E. 1850-1875. This style WAS made to be "attached to belts," but I don't know if this style goes back to the 1820-40's period.
https://i.pinimg.com/564x/1a/f2/7e/1af27e8bef12169908ee7ddff7411e53.jpg
I do not have documentation on any other style sheath made during the period that had a belt loop sewn on the back, so I can't help you there. The only thing I can say is much earlier belt pouches, like the famous "Lyman Belt pouch" from the FIW period, had two loops/straps sewn on the back to attach the pouch to a belt. So sewn on loops were certainly known much earlier than 1820-40's, but I don't know when/if they were used on knife sheaths. Perhaps someone else can get more specific than I can for that time period.

Gus
 
Last edited:
Miller shows primarily 'fold over' sheaths. Some have a belt slot, most do not. They are either just put inside a belt or tied to the belt in some fashion. Most are riveted or tacked, not stitched. From his 1837 rendezvous paintings referenced and illustrated by Rex Allen Norman in his '1837 Sketchbook of the Western Fur Trade'. Polecat Added: Here are two of mine based on Miller's paintings. But also simply made as I think a mountain man might do it. There is a welting and they are hand stitched.
 

Attachments

  • PICT0458.JPG
    PICT0458.JPG
    141.7 KB · Views: 149
Last edited:
From Mountain Man sketch book and Feminine Fur Trade Fashions by Wilson and Hanson. Most from Museum of the Fur Trade.
Earliest looks like cr 1820. How close was this to 1750? Beats me.
63D5BF71-543E-4500-975E-629A59D6C989.jpeg
4CDF81EB-D467-4F86-B931-76A21630E0BD.jpeg
 
Back
Top